Rockwell Group unveils new Moxy Chelsea, a modern Secret Garden in New York's Flower District
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Presse09.05.2019
Following the opening of Moxy Times Square, Rockwell Group has designed the public and amenity spaces at Moxy Chelsea in New York. Tucked into the bustle of Manhattan’s historic Flower District, the hotel’s restaurant, lounge and rooftop were conceived by Rockwell Group as places of discovery, surprise and rejuvenation.
Upon entering Moxy Chelsea, guests encounter a botanically-inspired space seen thorough a modern lens— Frances Hodgson Burnett’s ‘The Secret Garden’ meets Milan’s Villa Necchi Campiglio. Appealing to today’s youthful global traveller or sophisticated city insider who craves a contextual sense of place as well as an escape, Rockwell Group has combined layers of rich colour, material, pattern and form to create a vibrant and welcoming design. The end result is a highly sophisticated and curated environment that embraces today’s multi-tasking, multi-communicating and multi-experiential world.
Featuring exquisite craftsmanship and unexpected details at every turn, Rockwell Group’s design scheme for Moxy Chelsea comprises of Feroce, an Italian restaurant on the Ground Floor, a dynamic lobby lounge and the Fleur Room, an indoor-outdoor rooftop bar with views of the Empire State Building and New York’s famed skyline.
Italian restaurant Feroce is entered at street level and organised as a series of choreographed rooms that lead to an outdoor terrace. Inspired to create a clear distinction between the street and the hotel, as well as an immediate, curated moment, a collection of Italian candy displays greets visitors at the 28th Street entrance. Beyond the apothecary candy jars, aperitif and digestif bottles hover on delicate glass and brass shelves creating an unexpected juxtaposition that sets the tone for everything Moxy Chelsea. After guests enter the transparent and ribbed glass-paned lobby vestibule they also encounter a window-side, old school doughnut machine that appeals to everyone’s inner child and a pass-through window that allows locals to pick up coffee, freshly-made doughnuts and pastries on the go in the morning.
Recessed Venetian plastered walls holding a collection of containers, a terracotta-like barrel vault ceiling, and refined geometric light fixtures, all conspire to transport guests to early 20th Century Milan and Rome. A ribbon of over-scaled mosaic tile floor dramatizes the counter from the expanse of floor with a stripped, biased pattern that introduces guests to a geometric motif that repeats throughout Moxy Chelsea.
assing through Feroce’s café and bar, guests enter the main dining room of the restaurant, which is capped with a barrel-vaulted ceiling. Three niches fitted with semi-circular Hollywood banquets face opposite a gridded industrial window looking onto the outdoor dining courtyard spanned with a 50-feet long banquet seating and terrazzo-topped tables. To further animate the room, Rockwell Group also designed bespoke grappa-tasting carts that can be moved throughout the space.
A sliding glass door leads to the private dining room, where the walls feature large-scale, deconstructed vintage Italian liquor posters behind antiqued mirrors. Ground floor restrooms have rich, emerald-painted walls and dark terrazzo, creating immersive, luxurious hideaways. Restrooms in the restaurant and second floor lounge features replicas of Italian figurative sculptures in irreverent poses further reveal the hotel’s sense of fun and whimsy.
Moxy Chelsea’s vintage Italian flair continues on the second floor with the Moxy Lounge, a hub of activity for the hotel guests. The lounge is a narrative of counterpoints, contrasts, and cultural cues, a distillation of the urban experience bottled in a dynamically choreographed space that offers enjoyment, comfort, and flexibility. From the entry vestibule guests ascend a grand concrete staircase, encased in tubular glass, arriving on the second floor to meet, eat, drink, work, lounge, and people-watch. The pleasures of home, work, travel and everything in-between merge into a dynamic social space.
To the right of the space, the Winter Garden, which looks out onto the heart of NYC’s Flower District, spans the width of the hotel. It is sandwiched between a live green 20-foot-high wall and partially screened glazing with tinted circular panels that echo the platonic geometries of Modernism. The bar is screened from the Winter Garden by a kinetic plane of tilting glass tiles that change configuration. Grab & Go cabinets at The Pickup, next to the bar, offer snacks and beverages 24/7.
To the left of the stairs, a lounge area adjacent to the bar is anchored by a 20ft long sofa and a family style table. Two studios provide guests with a quiet, private workspace during the day. In the evening, these custom tables fold down to create credenzas and plush, modular furniture creates a space for socializing.
Each area of the Moxy lounge is marked by a variation in terrazzo flooring, ranging from coloured slabs of tile, scaled from “The Little Shop of Horrors”, to crisp geometrics in black. The elevator bank marking the front and back of the lounge is wrapped in shelving with a curated display of artwork. What first appears to be reproductions of figurines have in fact been transformed into humorous caricatures, almost like a sculptural version of music sampling. A similar approach to disrupting the expected appears in paintings where classical Italian scenes are distorted by a ‘technical glitch’.
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