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Frieze Master 2018

  • Messe
    04.10.2018 - 07.10.2018
    Frieze »

Focus, the fair’s celebrated section supporting the participation of young galleries, welcomes back 47 Canal, blank, Carlos/Ishikawa, Instituto de Visión and Various Small Fires (VSF), among others; alongside exciting newcomers from Mumbai to Paris and Hong Kong including Michael Benevento, Bodega, Ginerva Gambino, High Art, Jhaveri Contemporary and Edouard Malingue Gallery. Generations of London galleries at the fair include Project Native Informant joining Focus and Seventeen entering the main section, alongside young returning London spaces Arcadia Missa and The Sunday Painter and established participants Sadie Coles HQ, Stephen Friedman Gallery, Victoria Miro, Maureen Paley and Stuart Shave/Modern Art, among manyVander Beken and Georgina Townsley. The winner of the inaugural Camden Arts Centre Emerging Artist Prize at Frieze will be announced on Wednesday 3 October.

Supporting UK Institutions
Continuing Frieze’s enduring relationship with collecting institutions across the UK, Frieze London again partners with two acquisition funds for national and regional public collections. The Frieze Tate Fund, supported by Endeavor, returns for its 16th year; alongside the third edition of the Contemporary Art Society’s Collections Fund at Frieze, this year benefiting The Box (Plymouth). Allied Editions also returns to the fair, launching exclusive artist editions at the fair to raise funds for non-profit galleries across London and guest regional partner, The Hepworth Wakefield.

The World’s Most Significant Galleries
Frieze London welcomes the return of world-class galleries including international galleries who have partipated since the fair’s inception, such as Galerie Gisela Capitain, Gagosian, Greene Naftali, Hauser & Wirth, Lisson Gallery, Galerie Thaddaeus Ropac, Salon 94, Sprüth Magers, White Cube and David Zwirner, among others; alongside also returning Gavin Brown’s enterprise, Marian Goodman Gallery, kurimanzutto, Matthew Marks Gallery, kamel mennour, Pace Gallery, Esther Schipper, Galeria Luisa Strina and The Box; and major newcomers including Xavier Hufkens, Galerie Lelong & Co. and Galleri Nicolai Wallner.

Focus, the fair’s celebrated section supporting the participation of young galleries, welcomes back 47 Canal, blank, Carlos/Ishikawa, Instituto de Visión and Various Small Fires (VSF), among others; alongside exciting newcomers from Mumbai to Paris and Hong Kong including Michael Benevento, Bodega, Ginerva Gambino, High Art, Jhaveri Contemporary and Edouard Malingue Gallery.

Generations of London galleries at the fair include Project Native Informant joining Focus and Seventeen entering the main section, alongside young returning London spaces Arcadia Missa and The Sunday Painter and established participants Sadie Coles HQ, Stephen Friedman Gallery, Victoria Miro, Maureen Paley and Stuart Shave/Modern Art, among many others. Plus three galleries representing Glasgow’s art scene: Koppe Astner, The Modern Institute and Mary Mary.






  • Frieze
  • 04.10.2018 - 07.10.2018
    Messe »
    Frieze »

    2018 Opening Days & Hours
    Wednesday Preview 3 October (Invitation only)
    Thursday Preview 4 October: 12pm-8pm
    Thursday Private View 4 October: 5pm-8pm
    Friday 5 - Saturday 6 October: 12pm-7pm
    Sunday 7 October: 12pm-6pm



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  • Impressionen frieze london 2016 (c) frieze.com
    Impressionen frieze london 2016 (c) frieze.com
    Frieze
  • Galerie Chenel Honorary base dedicated to Aurelia Eirene   Roman, Antonine period, 96-192 AD  Marble  H.: 123 cm - D.: 50 cm.
    Galerie Chenel Honorary base dedicated to Aurelia Eirene Roman, Antonine period, 96-192 AD Marble H.: 123 cm - D.: 50 cm.
    Frieze
  • Les Enluminures Noted Missal (the “Soissons Missal”)  In Latin, illuminated manuscript on parchment Northeastern France (Diocese of Soissons), c. 1250-75 With 1 full-page miniature and 22 large historiated initials by the Vincent Master (active Northeast France, c. 1260-90)
    Les Enluminures Noted Missal (the “Soissons Missal”) In Latin, illuminated manuscript on parchment Northeastern France (Diocese of Soissons), c. 1250-75 With 1 full-page miniature and 22 large historiated initials by the Vincent Master (active Northeast France, c. 1260-90)
    Frieze
  • Axel Vervoordt Gallery Günther Uecker (b. 1930) Diagonale/Vertikale Struktur (Diagonal/Vertical Structure), 1965  Nails, acrylic, and sand on canvas laid down on wood 82.1 x 82 x 7 cm Courtesy of the artist and Axel Vervoordt Gallery.Axel Vervoordt Gallery Günther Uecker (b. 1930) Diagonale/Vertikale Struktur (Diagonal/Vertical Structure), 1965
    Axel Vervoordt Gallery Günther Uecker (b. 1930) Diagonale/Vertikale Struktur (Diagonal/Vertical Structure), 1965 Nails, acrylic, and sand on canvas laid down on wood 82.1 x 82 x 7 cm Courtesy of the artist and Axel Vervoordt Gallery.Axel Vervoordt Gallery Günther Uecker (b. 1930) Diagonale/Vertikale Struktur (Diagonal/Vertical Structure), 1965
    Frieze
  • David Ghezelbash Archéologie Relief portrait depicting a young official, from the Mathias Komor collection  Egypt, Old-Kingdom, from Sakhara, Late 5th - Early 6th dynasty, ca. 2500-2400 B.C. Limestone with red and blue pigments
    David Ghezelbash Archéologie Relief portrait depicting a young official, from the Mathias Komor collection Egypt, Old-Kingdom, from Sakhara, Late 5th - Early 6th dynasty, ca. 2500-2400 B.C. Limestone with red and blue pigments
    Frieze
  • David Koetser Gallery Hendrick Avercamp (1585-1663) workshop Figures skating on a frozen lake.  Oil on Panel, 21.3 x 30.3 cm. Signed with Monogram: 'HA' (lower center, on the wood) Panel ready for use by 1603.
    David Koetser Gallery Hendrick Avercamp (1585-1663) workshop Figures skating on a frozen lake. Oil on Panel, 21.3 x 30.3 cm. Signed with Monogram: 'HA' (lower center, on the wood) Panel ready for use by 1603.
    Frieze
  • Galerie Meyer-Oceanic Art A superb and exceedingly rare tinder, or snuff, container  Eskimo, Thulé Period, probably Point Hope area Northern Alaska. 18th/19th century for the container body and Punuk culture for the cap (600-900 AD). Walrus tusk (Odobenus rosmarus divergens). 11 x 5,5 x 3,7 cm with cap
    Galerie Meyer-Oceanic Art A superb and exceedingly rare tinder, or snuff, container Eskimo, Thulé Period, probably Point Hope area Northern Alaska. 18th/19th century for the container body and Punuk culture for the cap (600-900 AD). Walrus tusk (Odobenus rosmarus divergens). 11 x 5,5 x 3,7 cm with cap
    Frieze